by toxi aka Karsten Schmidt. “The V&A has commissioned Karsten Schmidt to design a digital identity for the Decode exhibition using open source code. We are giving you the opportunity to recode Karsten’s work and create your own original artwork. If we love your work it could even become the new Decode identity.” video, code, decode:digital design sensations
beautiful objects coded and rendered by dennis and patrick, the product.
a book about generative design by Hartmut Bohnacker, Benedikt Groß, Julia Laub, Claudius Lazzeroni. “For a few years now, generative design has been an insider tip at media art festivals and conferences. An interplay of complex information, graphic design and the opportunities provided by programming generate new, fascinating visual worlds that can visualize correlations and concurrences or allow chance to do the designing. We are experiencing a paradigm shift in design, which leads to new, formal visual worlds.” (yet only in german).
“onedotzero is an international moving image festival, showcasing a variety of work from innovators across the globe. This year’s festival identity was created collaboratively by Wieden+Kennedy & Karsten Schmidt (PostSpectacular). [..] To complete the community ethos of our identity concept we decided to open source the entire generator, installation software & tools in the hope to encourage further discussion, educate and hopefully see some wonderful new additions/re-renderings of the whole concept…”
duab17_ (oriol)
a snapshot of generative works by Paul Prudence, “artist and real-time visual performer working with computational and visual feedback systems and video. Uses VVVV, Flash & processed Digital Video. Lecturer on visual music and syneasthetic art.” Mr Prudence runs the generative art blog dataisNature.
a playground of Keith Peters, i remember him from my good old flash times back in 2000 when browsing through his flash archives at bit-101.com. “Sometimes he makes something that looks nice and puts it up ” at www.artfromcode.com
algorithm & code. visual aesthetics in early computing (1950-80).
Image above, Longson: Square Tonal Drawing, 1978. In Square Tonal Drawing, the visual conflict between 2-D and 3-D is the main theme - geometric marks form a flat grid pattern when viewed from straight on, and break apart into a cloud from any other viewpoint.
via translab
