by Alex Hohlov, 2009.
an art app for the iphone by joshua davis, sideways. “”REFLECT” uses a ‘Designer’ Mode to pick collections of artwork assets in the “Form Palettes” and an associated set of colors in the ‘Color Palettes’. After Forms and Colors have been selected you’re given a blank canvas and uses the iPhone’s Multi-touch capabilities to randomly generate a composition based on your gestures.” related phiLia.
by field.io, marcus wendt and vera-maria glahn. an experimental short film, 12mins. generative strategies have been used to create a surreal and supernatural landscape.
via www.field.io
algorithmic experiments by andreas koerberle, aka eskimoblood. excursions into the possibilities with guilloche patterns and voronoi structures.
via eskimoblood
by Victor Vasarely, 1967. £174,000 ($341,176), Christie’s London, Feb. 9, 2007. “In 1965, following his starring role in the Museum of Modern Art’s now-famous ‘The Responsive Eye’ exhibition, Hungarian artist and Op Art inventor Victor Vasarely (1906–1996) became an international art superstar.”
via artnet
“The impressionist Claude Monet often painted the same motif under several natural conditions, and fixed the dynamic effect of light on the renowned 33 canvasses of ‘Cathedrale de Rouen’. The artist explored in essence how human being perceives change of natural scene in time and its color dynamism beyond simple problems of expression.”
“Following the impressionists’ approach, Tsutomu Mutoh has started an experiment on interaction of color with recent LED technology to control dynamic light from the view point of color composition method.”
via mutoh.imrf.or.jp
The Weather Project by Olafur Eliasson
i could have posted any of eliasson’s work here, i admire them all. simple but purely effective how he plays with space, light, color, illusion and natural phenomenas.
by tauba auerbach, 2008. standard (oslo). the uncertainty principle.
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