by Eva Schindling, 2009. A fluid dynamics simulation using sound as input. Using various soft- and hardware applications, a phyiscal three dimensional object results at the end of the transformation chain.
related frozen
a project by Hyperbody, a research group in the Faculty of Architecture at the University of Architecture under the direction of Kas Oosterhuis, for festo.
“The emotive FinRay wall is composed of seven separate wall pieces, which can swing their body back and forth. Embedded in the skin of the FinRay are arrays of LED luminaries, which can be programmed individually to give personalized information or just to create an ambient luminescent atmosphere.” video
more video mapping by visomat. “The sculpture is made of styrofoam.” via YouTube - HALBZEUG
in german. by art magazin. “Ihre Installationen erinnern ja auch eher an einen Physiker oder Naturwissenschaftler … / Das hat etwas mit Sehgewohnheiten zu tun. Und diese versuche ich immer in Frage zu stellen. Ich finde meine Installationen teilweise gar nicht so technisch. Für mich ist das auch ein Ausdruck dafür, in welcher Zeit wir gerade leben.”
Im art-Interview spricht er über seine Zeit als Gärtner, die Grenzen zwischen Kunst und Naturwissenschaft – und die Vermatschung von Tönen.
by carsten nicolai. “installation in lightproof auditorium, video projection (16:9 ratio), mist, sound, dimensions variable. fades is an installation for a specifically designed environment. A fine haze of mist is introduced into a space in which the white light of the projection manifests itself.”
Grainface is the laptop ensemble of the Institute for musicology and musicinformatics (Musikwissenschaft und Musikinformatik) of the University of Music karlsruhe. grainface uses commercial and non-commercial software to create rhythmic sound collages combined with their own ideas and interpretations. video [1][2]
a massive and huge instrument and sculpture by Tim Hawkinson, composed of ordinary materials and found musical phrases. “The source of inspiration for many of Hawkinson’s pieces has been the re-imagining of his own body and what it means to make a self-portrait of this new or fictionalized body.” view youtube-video.
via www.massmoca.org
installation by sabrina raaf, 2000. Steel, Rubber, Aluminum, Glass, Custom Electronics.
Raaf’s “machines’ behaviors are based in generative algorithms. They rely on networks, reflexivity, and the interplay of randomness and pattern to initiate a genuine engagement with their environment and with visitors. Raaf views such artistic innovations as tools for creating new experiential frameworks that question the very nature (or location) of authorship.”
via raaf.org
nicolai is an artist working in the transitional area of art and science. his works are located in the areas of visual art, electronic music, installations, performances, and many more. his investigations into environments we inhabit or are surounded by are translated into natural and organic expressions as a continous process or the result of such. besides being carsten nicolai, he performs under the name alva noto and is founding member of raster-noton a platform to network the overlapping borders of pop, art, and science.
sound to image
olafur eliason, frank bretschneider. snapshots from a japanese magazine, unfortunatelly i cant remember the name.
sound to image 2
olafur eliason, frank bretschneider. snapshots from a japanese magazine, unfortunatelly i cant remember the name.
